Thursday, November 17, 2011
wordz
Tuesday, November 15, 2011
imagery/figurative language
Sunday, November 13, 2011
laertes & claudius
Thursday, November 10, 2011
hamlet attacks his mom
Tuesday, November 8, 2011
sounds in poetry
Wednesday, November 2, 2011
u serious hamlet? whats wrong wit u
Through Hamlet’s interactions with other characters, the reader learns that he tends to mask his true emotions and deranged side with a false front. Hamlet truly seems like a completely different character when others are present. Shakespeare alters Hamlet’s speech to emphasize a dramatic tone in his soliloquies to give the impression of normalcy in his speech with others. Moreover, Hamlet is not straight forward and rather conceals his emotion with unclear language: “Seems, madam! Nay it is; I know not “seems”” (1.2, 76). Hamlet reuses the word ‘seems’ which connotes an uncertain tone. This tone completely contrasts his speech when he is alone, as it is much more suppressed. Shakespeare creates this contrast to highlight Hamlet’s split personality and further highlight his crazed mind. The reason behind creating a character with a split personality is to heighten the complexity of the play. With Hamlet’s two sides, more conflicts can arise between Hamlet and others and Hamlet and himself. However, as the play continues, Hamlet’s split personality slowly morphs into one as his inner side begins to predominate. For example, within Hamlet’s dialogue with Ophelia, the reader and Ophelia begin to notice how Hamlet’s mind has been altered: “You jig, you amble, and you lisp; you nick-name God’s creatures, and make your wantonness your ignorance” (3.1, 136-137). Hamlet begins to appear more open in this scene with Ophelia, but also appears to be more cruel with his language. He calls Ophelia all types of unpleasant names and she eventually comes to the conclusion that he has lost his mind.